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                    #
From: javiera@rain.org (Javier Alvarado)
Subject: TAB: In The Flesh (Pink Floyd)

In the Flesh(?)
From Pink FloydГ•s Г’The WallГ“

As IГ•m sure everyone whoГ•s heard the The Wall knows, the songs Г’In The 
Flesh?Г“ 
and Г’In The FleshГ“ are pretty similar, so this is the tab for both songs. 
IГ•ll 
point out the differences between the two, although they should be rather 
obvious.

|-------------------|-----------------------------|--------------0-----|
|-------------------|-----------------------------|-8----\--3----0-----|
|-------------------|-----------------------------|-7----\--2----------|
|-------------------|-----------------------------|--------------------|
|-------------------|---------0-------2---3vvvvv--|--------------------|
|--0--------2vvvvv--|-3vvvvv----------------------|--------------------|

|---------0------------0-----------------------------------------------|
|------------3------------3--------------------------------------------|
|-2>(4)-0------2>(4)-0------2>(4)--2-0---------------------------------|
|--------------------------------------2-0-----------------------------|
|------------------------------------------2-1-0---------2vvvvvvv------|
|------------------------------------------------3>(4)p0---------------|

|-2vvvvv---4vvvvv---5vvvvv---4vvvvv-|-2vvvvv---4vvvvv---5vvvvv---7vvvvv-|
|-3vvvvv---5vvvvv---6vvvvv---5vvvvv-|-3vvvvv---5vvvvv---6vvvvv---8vvvvv-|
|-2vvvvv---4vvvvv---5vvvvv---4vvvvv-|-2vvvvv---4vvvvv---5vvvvv---7vvvvv-|
|-0vvvvv---0vvvvv---0vvvvv---0vvvvv-|-0vvvvv---0vvvvv---0vvvvv---0vvvvv-|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|

%
|-------------------------|-----------------------------|
|-------------------------|-----------------------------|
|-(2)---------------------|----x------------------------|
|-(2)---------------------|----x-x----------------------|
|--0---2>(4)-2vvvvv--0----|----x-x--4>(5)-4vvvvv-2vvvvv-|
|-----------------------2>|(4)---x----------------------|

|-------------------------|-----------------------------|
|-------------------------|-----------------------------|
|-------------------------|-----------------------------|
|--2----------------------|-----------------------------|
|--0---2>(4)-2vvvvv--0----|----x-x--4>(5)-4vvvvv-2vvvvv-|
|-----------------------2>|(4)-x-x----------------------|

|-------------------------|-----------------------------|
|-------------------------|-----------------------------|
|--2----------------------|----x------------------------|
|--2----------------------|----x------------------------|
|--0---2>(4)-2vvvvv--0--1-|-2v---x--4>(5)-4vvvvv-2---3--|
|-------------------------|-----------------------------|

%
|------------------------------|
|------------------------------|
|--------x---------------------|
|--------x---------------------|
|--4vvvv---5>(7)-5vvvvv-4------|
|-------------------------12\--|

This is where Г’So ya though ya...Г“ or Г’Ahhh...Г“ starts. If youГ•re playing 
Г’In 
The Flesh,Г“ this is played with the vocals:

|------------------|------------------|----------2-------|----------2-------|
|----------2-------|----------2-------|-------3-----3----|-------3-----3----|
|-------2-----2----|-------2-----2----|----2-----------2-|----2-----------2-|
|----2-----------2-|----2-----------2-|-0----------------|-0----------------|
|-0----------------|-0----------------|------------------|------------------|
|------------------|------------------|------------------|------------------|

|------------------|------------------|----------2-------|----------2-------|
|----------2-------|----------2-------|-------3-----3----|-------3-----3----|
|-------2-----2----|-------2-----2----|----2-----------2-|----2-----------2-|
|----2-----------2-|----2-----------2-|-0----------------|-0----------------|
|-0----------------|-0----------------|------------------|------------------|
|------------------|------------------|------------------|------------------|

|------------------|------------------|------------------|------------------|
|----------2-------|----------2-------|----------3-------|----------3-------|
|-------2-----2----|-------2-----2----|-------4-----4----|-------4-----4----|
|----2-----------2-|----2-----------2-|----4-----------4-|----4-----------4-|
|-0----------------|-0----------------|-2----------------|-2----------------|
|------------------|------------------|------------------|------------------|

|------------------|------------------|----------0-------|----------0-------|
|----------5-------|----------5-------|-------------0----|-------------0----|
|-------6-----6----|-------6-----6----|-------1--------1-|-------1--------1-|
|----6-----------6-|----6-----------6-|----2-------------|----2-------------|
|-4----------------|-4----------------|------------------|------------------|
|------------------|------------------|-0----------------|-0----------------|

Repeat that over the verse two more times, except on the third time, 
replace 
the last three measures with:

|------------------|------------------|------------------|
|----------5-------|------------------|------------------|
|-------6----------|------------------|------------------|
|----6-------------|--2---------------|------------------|
|-4----------------|--2---------------|------------------|
|--------------12\-|--0---------------|------------------|

then repeat the measures between the percent signs in the intro, and end 
with:

|------------------|--/--|-----|
|------------------|--/--|-----|
|------------------|--2--|--2--|
|--2---2-2-2-2-2-2-|--2--|--2--|
|--2---2-2-2-2-2-2-|--0--|--0--|
|--0---0-0-0-0-0-0-|-----|-----|

--- Legend of Musical Symbols ---
>     Bend up to the note in parenthesis. Ex: 2>(4) bend up a whole step.
p	Pull off.
\	Slide up/down.
/	(Above the notes) Tremolo picking (pick as fast as you can).
x	Unpiched percussive notes.

--- End Notes ---
This is my first attempt at doing one of these things, so keep that in 
mind. 
Send questions, comments, suggestions, credit card numbers, etc. to 
javiera@rain.org.                    

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